Art History

Saint Luke Painting the stark(a) (1434 ) by Rogier van der Weyden (1400 ? - 1464 ) and medusoid (1597 ) by Michelangelo Merisi da Caravaggio (1571 ? - 1610 ) will be compared and contrasted in this paperThe word- profound fruitings pass to different miens , epochs and were created in different countries . Rogier van der Weyden is the panoptic-grown lesson of Flemish domesticate of Painting that inherited Italian rebirth traditions and combining them with Medieval Gothic features affected the further employ of European prowessistic production . Van der Wyden learns the ponderous circumstantial reality that characterises his early paintings at br the workshop of Robert Campin (1375-1444 ) when organism enrolled as an apprentice of the master . Saint Luke Painting the Virgin is attributed to the genuinely period . The d epiction of Madonna as hygienic as all the rest Christian plots is typical for the Flemish School masterpieces . Van der Wyden does not exclude this theme from his introduction every . The artist is the member of St . Luke guild which is the comm genius of Flemish painters . gibe to the legend exactly Saint Luke the Evangelist was the first off Christian painter who painted Mother of God from deportment . He was the saint patron of painters and their guilds . Most of the paintings representing St Luke are indentured for the altars of painters communities painting by van der Wyden is the altarpiece for the Brussels guildCaravaggio s humanity is associated with the Italian churrigueresque , which embodies new imagination active unity , eternity and diversity of the world . Baroque replaced humanistic refining of spiritual rebirth and art subjectivism which is so typical for airs . The virtuoso ornamental compositions of religious , mythological and allegorical nature predominate in the art works of Baroque styl! e . Luxurious portraits punctuate the privileged social status .

Baroque is characterized by parade and action , pathetic exultation , feelings long suit and passion for utile performances , overlap of reality and illusion , powerful contrast betwixt materials and textures , scales and rhythms , light and shade Baroque aesthetics has the strong rules to dedicate for painting . These rules are introduced in the Treatise about Painting , inscribe and Architecture (1584 ) by Giovanni Paolo Lomazzo (1538-1600 , the contemporary of Caravaggio . It is say to follow the principles of the spectacular art of spiritual rebirth . Caravaggio does not accept them because he considers that the character itself is true example for art , but not Renaissance neither classic forge . Caravaggio revolutionises the art of the time by creating dramatic and realistic paintings . Caravaggio constantly violates the principle of decorative art , at best he interprets it in his own way which provoke to hate and manage his paintingsIn Greek myth , Perseus utilise the severed snake-haired head of the Gorgon medusoid as a bulwark with which to turn his enemies to stone . By the sixteenth century Medusa was said to symbolise the enjoyment of reason over the senses and this may have been why cardinal number del Monte commissioned Caravaggio to paint Medusa as the designing on a formal shield presented in 1601 to Ferdinand I de Medici , Grand Duke of Tuscany . It destined to symbolise...If you wishing to get a full essay, order it on our website: BestEssayCheap.com

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